After more than a decade as an Art Director, in 2015, Peisy Ting broke free from the excessive hours and stressful advertising lifestyle to pursue an artistic path and establish herself as an artist.
She graduated with a BA (Hons) in Visual Communications from Birmingham City University (BCU), UK. Her evocative paintings explore the boundaries of thought and emotion in its purest abstraction, providing viewers with a multi-layered visual experience, establishing a connection on both an emotional and intellectual plain which serves as a guide as to who she is.
Peisy’s art has been displayed in shows in London and Bangkok as she continues to explore and develop, seeking to give a voice to the panoply of human experience and emotions.
Chris Tan is a contemporary abstract expressionist who excels in use of dynamic awe-inspiring distorted forms to express paradoxical relationship between soul and flesh with action painting methods. Born in 1979, Chris earned his diploma from The One Academy and Master of Arts from University of Hertfordshire in UK.
He had his first solo exhibition entitled “Nephesh” at ZHAN Art | Space in July 2020. He is also recipient of various design Awards, including Adobe Achievement Awards and Hiii Brand Awards.
Alya Hatta is a 20-year-old artist, currently undergoing her Fine Art degree at Goldsmiths, University of London after completing an art foundation course at Loughborough University. She is a multi-disciplinary artist focusing on painting, VR and installation artwork, yet keen on always learning and evolving her practice.
Her interests lie in exploring identity, specifically the Malaysian identity and what this means in different contexts. Ideas of immigration, alienation and culture are poignant in her works. She draws off of both historical and contemporary issues and influences, marrying them together to create a unique gaze through the culturally coded body.
Einstein’s theory of relativity and how light is bent by gravity serve as inspirations for Kelvin Low’s artworks. “I grew up in a farm without electricity. With nature as my playground, the experience has shaped a lifelong curiosity on how light reflected against varied textures can change appearances,” says Kelvin.
The Malaysian-born Kelvin graduated with a Bachelor’s degree in Art from the University of Auckland, New Zealand. He has previously exhibited in PAKS Gallery, Hubertendorf Castle, Austria (2018-2019), the Art Salon Carrousel du Louvre, Paris, France (2017-2018), and the Grand-Palace of Brussels, Belgium (2017-2018), among others.
Ng Foo Cheong
A graduate of the Kuala Lumpur College of Fine Art, Ng Foo Cheong’s paintings reflect historical and cultural significance. By layering paint, symbols and textures, Cheong metaphorically and visually articulates the impact of ancient societies on the evolving cultural identity of the contemporary Asian world. He creates by drawing inspiration from his own emotions. A master of contrasts, Cheong engenders a unique dialogue between the art of past and present cultures.
Cheong’s art has been displayed in shows in London, Stockholm, Brussels, New York, West Indies, Korea, Japan, Thailand, Indonesia, Singapore and Australia.
Encouraged by his mother, who also was his school’s art teacher, Malaysia Art has been a part of this young artist’s life from early on. For a short period Haris Rashid studied Textile Technology at the tertiary level, but later switched to Illustration, obtaining his diploma from The One Academy. After completing his formal studies, he opted to pursue art as a career, and is today a full time artist. As he continues to develop his visual language, Haris often experiments with various media combinations and surfaces, wood and textured pressed paper being two surfaces he likes working with most.
In addition to producing his art, Haris is also the founder and leader of a young artist collective studio known as Studio Mekar.
Inspired by her late father’s passion in painting, Fariza Basri is committed in continuing her inherited talent by becoming a self-made miniature artists. Using watercolours, she paints small scale images from everyday objects to celestial landscapes. Fariza describes her artworks as “small windows into my world”, artistic portals bringing viewers into her own experience of life and imagination.
Her miniature paintings have been praised as amazingly fine and detailed even at the small size of 16mm x 10mm. She hopes to be recognised as a local miniature artist representing Malaysia at the global platform.
A go-to conceptual artist for agencies, brands, restaurants as well as professional firms in Malaysia, Nicholas Choong is no stranger to the visual arts and design world. He studied watercolours under a mentor at the age of 13. Later at age 16 he, learnt Graphic Design, Sound Engineering and Photography working as a Production Assistant in the film industry.
In 2018, Nicholas joined the esteemed Rimbun Dahan Arts Residency as a 3-month Southeast Asian Artist in Residence from February – April 2018 which culminated in his cityscape works – showing at the National Art Gallery of Malaysia.
Marisa Ng studied art at the National Academy of Arts, Culture & Heritage (ASWARA) in Kuala Lumpur. After a short course on figure drawings, she continued her training in the fine arts under renowned Malaysian abstract artists, Suzlee Ibrahim and Ismadi Sallehudin.
Marisa’s style of painting leans towards abstract expressionist as it emphasises the spontaneous, automatic, or subconscious creation.
Ng Wei Li
Ng Wei Li is a ribbon wearing eccentric illustrator based in England and Malaysia that also goes by her pen name of ‘Weili Wonka’. She uses narrative as a key element in her works. Each piece telling a little story of their own.
Specialising in character design and development, comics and children book illustration, she works in various styles and mediums to suit the narrative accompaniment for each work.
Nadia Binti Nizamudin is a visual artist, working primarily on textile painting and mixed media collage. Her artwork focuses on found, reclaimed or recycled materials and is always represented by bold and bright colours. Both her collage and textile painting carry narratives around loss, relationships and hope. She always prefer to use found images and recycled or reclaimed items for her work, feeling that they add to the story and character of what she is trying to express. Used textiles always have a story to them and their fine wear and tear contribute to the fragility of human’s emotions.
She is inspired by the concept of grief and behaviourism.